The painted doll that the child fancied! the paint washed off and the golden hair all turned to drab? Could one be sure of “getting used to it,” of “liking it better?” And the poor bewildered doll itself! How could one expect to make of it a statue: “The Woman of the People.” One could only bruise it. “Tell me,” asked Joan, “am I likely to meet with much of that sort of thing?”!

Joan did not meet Hilda again till the child had grown into a woman—practically speaking. She had always been years older than her age. It was at a reception given in the Foreign Office. Joan’s dress had been trodden on and torn. She had struggled out of the crowd into an empty room, and was examining the damage somewhat ruefully, when she heard a voice behind her, proffering help. It was a hard, cold voice, that yet sounded familiar, and she turned. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh.

And herself? All her world had been watching and would know. She had counted her chickens before they were dead. She had set her cap at the man, reckoning him already widowed; and his wife had come to life and snatched it from her head. She could hear the laughter—the half amused, half contemptuous pity for her “rotten bad luck.” She would be their standing jest, till she was forgotten. “Nature appears to have only one idea in her head,” she continued after a pause, “so far as we men and women are concerned. She’s been kinder to the lower animals.” “You’ve got to face this unalterable law,” he continued. “That power derived from worldly sources can only be employed for worldly purposes. The power conferred by popularity, by wealth, by that ability to make use of other men that we term organization—sooner or later the man who wields that power becomes the Devil’s servant. So long as Kingship was merely a force struggling against anarchy, it was a holy weapon. As it grew in power so it degenerated into an instrument of tyranny. The Church, so long as it remained a scattered body of meek, lowly men, did the Lord’s work. Enthroned at Rome, it thundered its edicts against human thought. The Press is in danger of following precisely the same history. When it wrote in fear of the pillory and of the jail, it fought for Liberty. Now it has become the Fourth Estate, it fawns—as Jack Swinton said of it—at the feet of Mammon. My Proprietor, good fellow, allows me to cultivate my plot amid the wilderness for other purposes than those of quick returns. If he were to become a competitor with the Carletons and the Bloomfields, he would have to look upon it as a business proposition. The Devil would take him up on to the high mountain, and point out to him the kingdom of huge circulations and vast profits, whispering to him: ‘All this will I give thee, if thou wilt fall down and worship me.’ I don’t want the dear good fellow to be tempted.”